"A Creative Nonfiction Class Interviews Ryan Van Meter." Brevity. "An Advanced Creative Nonfiction Class Interviews Brian Oliu." Brevity. "Introduction to Art of Friction." University of Texas. "Fiction and the Literature of Fact." Brevity. "On Brian Oliu's 'mfw-22-Craigslist.'" Essay Daily. "Context: Why It Matters." Creative Nonfiction. "The Admissions Essay versus the Permission Essay." Brevity. "An Interview with Eric LeMay." New Books Network. "It's Never Just Me: Jill Talbot on 'All or Nothing, Self-Portrait at Twenty-Seven.'" Brevity. "Bending Genre/Essay as Play: An Interview with Margot Singer and Nicole Walker." TriQuarterly. "Interview with Armchair/Shotgun editor Evan Simko-Bednarski." Bookslut. "Interview with Charles Blackstone." Word Riot. 
"Black." "Afternoon in July." Soundless."Running Isn't Being Free." Blue Fifth Review."Absorbed," "I Am Half in Love," and "Memorabilia." Hobart."Dreaming of Frank Sinatra," "October," and "When I Stop Dreaming of Frank Sinatra." Split Lip Magazine."Museum Saloon." "The Basics of Writing." Blue Mesa Review."Scenes from the Colorado Summers." Hard Ground 2001: An Anthology of Life in the Rockies."I Stopped Going to Mexico Because I Never Wanted to Come Back." It's All Good."Girls in the Blue Truck." Bordersenses."Black Against Darker Black." Iron County, Utah Poets Folio."The Fiction I No Longer Live." Drinking Diaries.The mid palate has a nice acidic pop alongside the black fruit cocktail. Gobs of black fruits with toasty oak, spice and very lithe tannins all form the first wave. On the palate it is really rich and warm. The nose has candied cherries, cinnamon stick, black currants and cedar. "What I Learned in Homemaking." The Rumpus Its a semi opaque pale purple wine in the glass."Running Away from Running Away." The Rumpus."What Doesn't Break Loose." The Collapsar."On Trouble, Like Dust." Ghost Proposal."Radio Silence." The Paris Review Daily.Moore) Seneca Review "Beyond Category" issue "Memory Collective." (with Eric LeMay, Jenny Boully, Elena Passarello, Kristen Radtke, Dana Tommasino, Ryan Van Meter, and Dinty W."On Writing, Like Lust." (a collaborative hybrid with Justin Lawrence Daugherty) Pithead Chapel.
RUMPUS WINE SERIES
"Ceremony." River Teeth's "Beautiful Things" Series."Kitchen Table: A History." Writers for Dinner."All or Nothing: Self-Portrait at Twenty-Seven." Brevity.
"My Grandmother's Flowers." Cimarron Review. "The Man in the Photograph." South Loop Review. "Lost Calls." Barrelhouse Essay Anthology. "Stranded." Brief Encounters: A Collection of Contemporary Nonfiction. The Art of Friction: Where (Non)fictions Come Together. Metawritings: Toward a Theory of Nonfiction. She has a daughter named Indie (born 2002) and currently resides in Texas, working as an Associate Professor of Creative Nonfiction at University of North Texas. Talbot's work has appeared in journals such as Brevity, DIAGRAM, Ecotone, The Paris Review Daily, The Pinch, The Rumpus, and Under the Sun. Lawrence University, Oklahoma State University, Southern Utah University, and New Mexico Highlands University. She has served as a writer-in-residence and English professor at Columbia College Chicago, and an English faculty member at St. She went on to earn her second Masters in Creative Writing from the University of Colorado at Boulder. She earned her PhD in Contemporary American Literature and Film at Texas Tech University. The red dots are the vantage points for the photos, so you can see just how huckery it looks.Jill Talbot was born in Dallas, Texas in 1970. I drew up a sketch of what i envisioned it to look like. This job isnt a contender for Grand Designs or House of the year award (and the less money i have to spend on making it look flash, the more i can spend on wine for the celler) but just the basics to turn this from hori in to somewhere i can hide from my kids, drink wine, and pass out. We want to convert it to a lined room to act as a spare room, with a loft bed, a wee window, and line and convert an area of it in to a wine celler with a locked door. Theres power down there, and previous tenants used it to grow weed, and we have used it as a gym. 
Anywho it is structurally sound, but just an ugly waste of space. We have a downstairs 'basement' that the previous owners attempted to excavate, then had to be restrengthened because you cant just remove dirt from under a house and expect it to be OK. Our house is a typical weatherboard 2 story house on a ridiculous hill in Hataitai.
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